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Although many cultures have stories about them, vampire bats have only recently
become an integral part of the traditional vampire lore. Indeed, vampire bats
were only integrated into vampire folklore when they were discovered on the
South American mainland in the 16th century. Although there are no vampire bats
in Europe, bats and owls have long been associated with the supernatural and
omens, although mainly because of their nocturnal habits, and in modern English
heraldic tradition, a bat means "Awareness of the powers of darkness and
chaos."
Although the vampire bat's bite is usually not harmful to a person, the bat has
been known to actively feed on humans and large prey such as cattle and often
leave the trademark, two-prong bite mark on its victim's skin.
The three species of actual vampire bats are all endemic to Latin America, and
there is no evidence to suggest that they had any Old World relatives within
human memory. It is therefore impossible that the folkloric vampire represents
a distorted presentation or memory of the vampire bat. The literary Dracula
transforms into a bat several times in the novel, and vampire bats themselves
are mentioned twice in it. The 1927 stage production of Dracula followed the
novel in having Dracula turn into a bat, as did the film, where Béla Lugosi
would transform into a bat. The bat transformation scene would again be used by
Lon Chaney Jr. in 1943's Son of Dracula.
To the left is a Vampire Bat.
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